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Against a pale ground of warm cream and soft charcoal striations, a single circular seal drawn in fine terracotta line sits slightly off-centre — a composition that feels discovered rather than designed, like a page from a private archive where someone pressed a stamp and left it there. The inspiration came from the wax seals and hand-stamps of historical correspondence, objects that carried identity and authority in a single mark and were never meant to be decorative but always were. Woven in wool with a pile that holds the fine linework with real clarity, this is a piece of unusual originality — graphic enough to be a statement, restrained enough to work in almost any room.