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Washes of sage green, olive and warm white move across the surface in the loose, layered way of paint applied to damp plaster — the technique that gave Italian Renaissance frescoes their particular softness and their sense of being part of the wall rather than placed upon it. The design was drawn directly from that tradition, from the painted garden walls of Pompeian villas where botanicals were rendered with a freedom that felt closer to memory than observation. Woven in wool and viscose, the surface carries a natural warmth and a gentle depth of colour that photographs suggest but do not fully capture. A piece that brings the feeling of the Mediterranean indoors without any effort at all.