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Against a field of deep charcoal and near-black, fine lines of warm gold branch and spread across the surface like the veins of a leaf held up to light, or the root system of something old and still growing. The design was inspired by the Japanese art of kintsugi, where broken ceramics are repaired with gold and the repair itself becomes the most beautiful part of the object — a philosophy that finds richness in the trace rather than the form. Woven in wool and viscose, the gold filaments catch light against the dark ground with a warmth that photographs cannot fully represent. In a room, the effect is one of considered depth — a piece that rewards the kind of attention that slows you down just slightly each time you pass it.